One of the hallmarks of modern Western culture is that we so often take the path of least resistance. We prioritise short term convenience over long term consequences. This, as we have already seen with black wattle (refer Step 5), can have perverse outcomes. Think too of plastic and how it’s overwhelming the oceans and marine birdlife.
 
A supposedly ‘rubbish’ timber, Lachie has instead found that black wattle delivers superior quality floor boards. It’s far harder and denser than Baltic pine, which was brought over as ballast from Scandinavia in the gold rush era and was laid as flooring in Ballarat throughout the 19th century. It’s even harder and denser than mountain ash (Eucalyptus regnans), which until the 1970s formed three-quarters of the new house frames and flooring in Victoria.
 
Laying the black wattle floor boards in the 21C drop slab hut has gone smoothly. The stability of acacia compared with a eucalypt avoids tension and shrinkage problems. When Lucas sawmilled as green wood at 24mm, the black wattle was perfectly well-behaved, shaving down to a standard 19mm thick by 112mm wide board. 
 
Lachie chose to use a classic shiplap profile, where the rebate on opposite sides of the panel interlocks the boards as securely as tongue and groove. The boards were lain athwart chainsaw-milled messmate joists, 500mm thick by 150mm wide, which were set 450mm apart and notched into the bottom plate beam. Through-nailing was preferred by Lachie, as unlike trendy secret nailing, it allows the boards to be recycled. Secret nailing offers another example of Western culture’s myopic vision triumphing over what’s best for the planet.
 
The wavy-red floor boards are yet to be sanded and oiled – the next step! In the meantime, Lachie has nailed a recycled corrugated iron roof above as protection from the weather. It was rerolled by an early 20th century tank iron rolling machine that was originally designed to put the curves into straight iron. Now deployed to bring back old distorted corrugated iron, the machine only works where the iron is malleable. Modern iron may look on the surface flashy, but it’s high tensile and – surprise, surprise – not recyclable.
 
As well as being attached to the three pairs of pegged sugar gum rafters, the roof is supported horizontally by round bush poles. Skinny as they are, the bush poles serve as sturdy purlins that are fixed to the rafters with batten screws and twitched with tie wire at each end. 
 
Also sourced from sugar gum, the 100mm diameter bush poles are 12 year old thinnings hailing from the sugar gum plantation of Ballarat Region Treegrower (BRT) farm forester, Phil Kinghorn. Farm foresters are constantly attempting to dream up ways of making money from plantation thinnings. As a plantation grows, every second tree needs removing on a regular basis if the best formed and straightest tree trunks are to thicken up sufficiently for most timber uses. Skinny bush poles playing a support role in construction are one way to fill this gap.

​Minimally processed, the poles were chainsawed flat on top and bottom sides, otherwise retaining the outlines of their origins. “It makes for a pleasing organic contrast, I think,” said Lachie.
 
When it comes to natural products, less can often mean more.
 
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For all eight Steps, visit – https://www.biorichplantations.com/blog/category/21c-drop-slab-hut

Lecturer, Antanas Spokevicius, brought another  31 students back to ImLal in March 20121. He said of last year's visit: "This was a real highlight for the class and they absolutely loved it. Some have even been inspired to undertake careers in forest management – I know of one students who is now on fire crew for the summer purely based on this experience."

​This year the students were able to hear craftsman Lachie Park explain the process of building the 21C drop slab hut. He revealed how for him as a woodworker it had been a real eye-opener. "Most woodworkers are disconnected from the source of the wood they use. I've learnt the importance of provenance, of taking a more place-based approach." 

Some students were puzzled at the high-tech upgrades as though the approach ought to totally retrieve lost arts of the past. But this not a "hippy hut."  As the '21C' in its title implies, this is a 21st century reframing of the traditional drop slab hut, making it fit-for-purpose for a more sustainable future. 

In building a hut from green wood, drop slab walling – according to Lachie – delivers the most satisfying blend of benefits over other materials, such as weatherboards, vertical slabs or corrugated iron.
 
The drop slabs for the walls of miners’ and cattlemen’s huts were traditionally riven lengthways from a messmate or mountain ash log using a broad splitting axe or wedges. Lachie’s 21st century refinement is to replace pure brawn and deploy what is known as the Alaskan chainsaw mill technique.
 
Lachie began by felling a messmate in private native forest on top of the Dividing Range in central Victoria. Messmate (Eucalyptus obliqua) is the dominant species in the dense forests of the south-western Divide. It splits easily and was described by 1850s gold miner William Howitt as “the most useful of trees” for mine props and hut construction. A sturdy hardwood, messmate holds the honour of being the first tree to be encountered by a European explorer; namely, Dutchman Abel Tasman as he skirted the southern end of the island named after him in 1642.
 
Lachie’s chosen messmate was tall and straight with little taper – ideal for cutting into uniformly thick slabs. Under the Alaskan innovation, an aluminium frame is fitted above the chainsaw bar. The rigid frame guides the chainsaw, ensuring it slides evenly as it cuts longitudinally through the log. This simple setup replicates in miniature a mobile sawmill. Such downscaling meant the tree fellers could sled with huskies into back country, find a towering conifer and fall and disassemble on the spot. 
 
To remove the first curved outside flitch, Lachie aligned a homemade rail/ladder along the centre of the log. This assures that the first longitudinal cut through the log follows the true plane between the pith or centre of the log at each end. Crude judgement of thickness by eye is abandoned. Prior to slicing off each quartersawn layer of 2” slabs, Lachie measured precisely at log ends. The consistency achieved rivalled a loaf of Tip Top.

Gorse on ImLal South is under control. It's harder on the steep slopes of the mullock heap where we're trying a combo of digging, chainsaw cutting and spot spraying.

Prefabricated off site, it took Lachie and a team of three little more than two hours to erect the sugar gum frame on site in the clearing at the Imal biorich plantation.

While careful preliminary craftwork is essential to the traditional mortise and tenon building technique, prefabrication is becoming increasingly fashionable today. It allows for quality control and pre-packaging has enabled a faster roll-out of new houses to replace those lost in the Black Summer bushfires.    

​The bottom plate beams for the 21C drop slab hut were laid out on a grid of ‘granite’ staddle stones. Bolts through the beams were nested into a central hole on top of each stone. Armed with a spirit level, Lachie adjusted the height of each bolt, until the base floated perfectly flat above the ground’s surface.

The stones serve two obvious purposes and one not-so-obvious: they ensure underfloor air flow, stop termites and offer the clearance for lifting the hut and transporting it to another location. 

Like a jigsaw, the post and beam pieces slotted together. Unlike a jigsaw, Lachie had numbered each piece, so the team knew exactly where each piece was supposed to go. 

Corner posts were wrestled into place. Uprights for window and doors carried to their assigned slots. Then came the moment to bring out the modern machinery to do the heavy lifting of the top plates. Lachie had hired a Telehandler with a wide forklift for the day. Up and over went the long beams, with the team atop ladders gently guiding these nine metre-long heavyweights onto the post-top tenons.

As each of the four sides was capped with a beam, pegs were hammered through the corner posts and beams, anchoring the 3D jigsaw into a fixed pattern. Finally, the Telehandler raised its articulated arms high and added the gabled framework for the roof. The oiled skeleton of the drop slab hut gleamed firm and proud, the solid wooden frame at one with its natural surrounds.
​

​The high levels of tannin in black wattle makes the wood rich red in colour. A beautiful stable timber, it grows well in low rainfall, and was once widespread, thriving in the heavy clays of the basalt plain that extends from the outskirts of Melbourne to beyond the South Australian border. As a common local timber, we thought it was an ideal candidate for the flooring and window frames in the 21C drop slab hut.
 
From settlement’s outset, however, black wattle (Acacia mearnsii) was consigned to a low value destiny – similar to sugar gum. With its bark found to contain 40 per cent water-soluble tannin, industry seized on it as ideal for cleaning and preserving animal skins. Countless numbers of black wattle were flayed alive, with their bark stripped and bundled up for making leather or scouring sheepskins in the cities’ tanneries.
 
Sent overseas for its tannin qualities, black wattle soon developed a poor reputation. From South Africa to Germany, it became regarded as an invasive weed. Its tough black seeds readily germinate once damaged. After fire, it suckers prolifically creating dense thickets that eliminate other species. Around 15yo, the species becomes untidy, literally falling apart.
 
Tainted by its past, the best that agroforestry manuals can recommend for black wattle is to plant it as a nurse crop for more valuable timber species. When grown in alternate rows, the fast growing black wattle forces the more favoured species of eucalypt or exotic timber to grow straight as they strive to reach the sun. After 5-10 years, the manuals recommend cutting out the black wattle for firewood.
 
At his property near Mt Egerton, Ballarat Region Treegrower (BRT) farm forester, Campbell Mercer, put this formula into practice. In 2003, he planted a 20 acre woodlot of black wattle nursing a range of species from brown stringybark to cypress.
 
Fifteen years on, the black wattle was outcompeting everything else on a wet, south-facing slope. Encouraged by BRT’s resident pruning fanatic, Phil Kinghorn, Campbell had over the years pruned some of the black wattle and he thought: “There must be a better use than firewood, particularly as some of the trunks are in excess of 20cm and clear to 10’.”
 
Using Phil Kinghorn’s mobile Lucas Mill, they produced some 1” and 2” boards with ease. There was no shrinkage or end checking and the milled boards had a distinctive wavy grain pattern and swirls of dark red. They sent the boards to specialist timber retailer, Fairwood, in Melbourne for appraisal. 

Fairwood knew nothing about black wattle and were amazed at the colour and how it sustained such a good polish,” remarks Campbell. “Given it grows so strongly and has the added benefit of offering a dense and clean burn for any firewood thinnings, I don’t understand why it’s not a popular timber plantation species.

“Maybe it’s something to do with the tree being naturally very branchy, making it totally unsuitable for timber unless pruned.”

Campbell and Phil went on to mill six cubic metres of 1”and 2” boards of black wattle. We are the first to buy the boards, with Lachie picking up 92 lineal metres on a fine day this spring. When he finishes them for flooring and frames, who knows what standard they might reach? We’ll keep you posted!
 

Hopes were always high for a very productive spring bird survey at the ImLal Biorich site following the wet winter and pleasant survey conditions on the day, and the small group of birdos were not disappointed – a huge tally of 46 species was recorded along our usual 90-minute circuit! This is an impressive number of species for a single survey – for context, our previous visits in spring and winter 2019, yielded 28 and 22 species respectively.

Firsts for the spring bird survey included a Sacred Kingfisher and a Musk Duck on the dam. We watched a pair of swamp harriers  hunting without him among the Lal Lal Wind Farm turbines. For a full report of the spring bird survey by leader Grant Palmer, visit the menu for the Bird Survey.

Traditionally, in Europe and North America the pegs for the holed post (mortise) and grooved beam (tenon) are made of oak. That’s the way it’s always been.
 
In what is possibly a world first, Lachie decides to try shaving down some sugar gum offcuts. We are determined to use as many local materials as possible. What innovation ever occurred without taking a risk? Lloyds of London refused to insure the first Tasmanian clippers made of the only timber available to the local boat builders in the early 1800s – blue gum. One hundred years later they were still plying the Derwent.
 
As a Class 1 naturally durable hardwood, we know that sugar gum will have more than sufficient strength to hold the hut’s frame together. The known unknown is whether or not the dense sugar gum will shave to a taper smoothly? 
 
Lachie starts roughing out the offcut’s taper with a small axe. The sugar gum offcut is clamped down to the neck of his home-made saw horse. He mounts and begins work stropping back and forth with his two handled shaving knife, whittling the pegs down to a point. “It's smooth as…,” Lachie declares.
 
Lachie estimates that he will be able to produce the 50 or so pegs for holding the hut’s frame together in little more than a day astride what he fondly dubs his “pleasure pony.”
 
​

For a small build, chainsaw milling is another means of keeping costs down and avoiding the middle man. 
 
Lachie uses a Stihl Magnum M5 661C chainsaw as the cutting agent, with the log lain out on a Logosol M8 Sawmill. A 45yo gantry hoist designed by a friend of his grandfather provides the lifting heft to swing the sugar gum logs on and off the saw bench. These three items are capable of handling logs up to five metres in length and 60cm in diameter – more than enough to build a house.
 
“It’s empowering once you master the skills,” says Lachie. “You can cut anything you need for a hut or house on your own.”
 
Like any craft, the truly limiting factors are the hours and hours of dedication required to acquire the cutting skills and the physical strength to turn logs around and heave them onto trolleys. The old, slow ways are not for the desk bound.
 
It’s just six weeks since the trees were felled and the wood is still moist and responsive. Lachie guesstimates that green wood is four times easier to cut, drill and chisel than inert and inflexible kiln-dried timber. The downside is that it shrinks and splits more easily. Not a viable option for the ‘perfect’ finish, but fine for the rugged splendour of the 21C drop slab hut.
 
Lachie is assembling all the hut’s components off site. He’s crafting a jigsaw in his back yard and won’t put all the pieces together until they are freighted to the clearing in the ImLal biorich plantation.
 
Back in his yard, Lachie sets the sawn 175mm square posts and 150mm beams straddling a series of saw horses. He begins preparing them in keeping with the ancient mortise (old French for hole) and tenon (tongue) pattern. Chiselled and shaped beam ends will slot into grooves on post tops. Holes are drilled through each post’s tenon and corresponding mortise. 
 
When assembled on site, a wooden peg will be hammered through each hole, wedding beams and posts together into a sturdy frame. Like people standing in a line, their outstretched arms on top of each other’s shoulders.

Granite foundation stones are a perfect match for the 21C drop slab hut. When quarried locally the old way, they are low in embodied energy. So, although high in weight and density, the granite’s carbon footprint is light. An altogether appropriate product for the 21st century upgrade of our drop slab hut.
 
Known as ‘staddle’ stones, the granite foundation stones will raise the drop slab hut clear of the ground, enable air circulation and termite resistance, while offering the clearance that allows the hut to be moved around the ImLal plantation. Flecked grey-white, the staddle stones will have a solidity and natural beauty. 
 
Lachie sourced the granite from a small quarry on the flank of Mt Alexander owned by father and son team, Vin and Brent Oliver. Harcourt granite, as it’s named from the local area, formed the base of many of Melbourne’s grandest buildings in the 19th century. Famously, the structural slabs on which the Sydney Harbour Bridge sits are Harcourt granite.
 
Structural bases are these days made of concrete, the most widely used building material in the world., estimated at an average of two tonnes for every man, woman and child on Earth. A processed product, concrete not only consumes energy, but as Vin, a third generation stonemason, remarks, it’s not made for the ages like the polished tombstones he creates, rather “concrete crumbles.”
 
Most granite these days is blown to smithereens for road construction or as a filler, Vin said. In the old days, five tonnes was the limit a horse-drawn wagon could carry. Now, the smallest slabs of granite start around nine tonnes.
 
Vin demonstrated the traditional way of cutting a slab of rock. He drilled a line of holes, seeded each with two metal ‘feathers,’ hammered in wedges between the feathers, then prised the rock apart with a crow bar along the fault line that sprang up between the wedge-holes. Physical labour is the major energy input when deploying the slow, old way to split stone. Not only does it respect the rock, but the end product is a natural thing of beauty.
 
And, unlike a concrete base, the staddle stones will rise out of the earth, not smother it.